The mission of FILARMONIKA Music Publishing is to discover and promote the musical repertoire of Latin America and the Caribbean.

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Showing 41 - 60 (of 134)
Composer Title Country Duration Instrumentation Score Parts
Vega, Diego (b. 1968)

Vega, Diego (b. 1968)

Biography

Diego Vega is a Colombian composer. His music has been performed in some of the most important concert halls in the United States, Europe and Latin America by ensembles such as the Cuarteto Latinoamericano, Eighth Blackbird, Ensemble X, Alea III, the Colombian National Symphony, the Bogotá Philharmonic, the Youth Orchestra of the Americas, the Maîtrise de Notre-Dame de Paris, the Quintet of the Americas, the Soli Chamber Ensemble, and internationally acclaimed soloists like pianist Stephen Prutsman, clarinetist José Franch-Ballester, cellist Andrés Díaz, and flutist Bradley Garner, among others. Diego has written commissioned works for the Colombian National Symphony, Notre-Dame Cathedral in Paris, France, the Cornell Symphony and the Cornell Chorus, and the Salvi Foundation and the Cartagena International Music Festival. Vega has also been awarded the National Prize of Music in Composition in 2004, the Ensemble X composition competition in 2004, Alea III 20th anniversary prize in 2002, one of the Ten Outstanding Young Persons of the Year in 1996 in Colombia, and prestigious scholarships such as Fulbright and the Sage Fellowship at Cornell University. Vega holds degrees from Cornell University (DMA), University of Cincinnati College Conservatory of Music (MM), and Universidad Javeriana (BM) in Bogota, Colombia, and has served as faculty at Syracuse University and Universidad Javeriana. Currently he is professor of music composition and theory at UNLV. Among his composition teachers are Guillermo Gaviria, Ricardo Zohn-Muldoon, Joel Hoffman, Roberto Sierra, and Steven Stucky. Diego Vega has written music for soloists, a variety of chamber groups, symphony orchestras, wind ensembles, choral ensembles, computer and electronic music. He has incorporated elements of Colombian traditional music into some of these works. [biography from the composer's website www.diegovega.com]

Website

www.diegovega.com

Published Works

  • MÚSICA MUISCA, for orchestra
×
DOUBLE REED OR NOTHING, for doulbe reed sextet
Colombia 5' 2 oboes, english horn, 2 bassoons and contrabassoon $20.00 $40.00
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Vega, Diego (b. 1968)

Vega, Diego (b. 1968)

Biography

Diego Vega is a Colombian composer. His music has been performed in some of the most important concert halls in the United States, Europe and Latin America by ensembles such as the Cuarteto Latinoamericano, Eighth Blackbird, Ensemble X, Alea III, the Colombian National Symphony, the Bogotá Philharmonic, the Youth Orchestra of the Americas, the Maîtrise de Notre-Dame de Paris, the Quintet of the Americas, the Soli Chamber Ensemble, and internationally acclaimed soloists like pianist Stephen Prutsman, clarinetist José Franch-Ballester, cellist Andrés Díaz, and flutist Bradley Garner, among others. Diego has written commissioned works for the Colombian National Symphony, Notre-Dame Cathedral in Paris, France, the Cornell Symphony and the Cornell Chorus, and the Salvi Foundation and the Cartagena International Music Festival. Vega has also been awarded the National Prize of Music in Composition in 2004, the Ensemble X composition competition in 2004, Alea III 20th anniversary prize in 2002, one of the Ten Outstanding Young Persons of the Year in 1996 in Colombia, and prestigious scholarships such as Fulbright and the Sage Fellowship at Cornell University. Vega holds degrees from Cornell University (DMA), University of Cincinnati College Conservatory of Music (MM), and Universidad Javeriana (BM) in Bogota, Colombia, and has served as faculty at Syracuse University and Universidad Javeriana. Currently he is professor of music composition and theory at UNLV. Among his composition teachers are Guillermo Gaviria, Ricardo Zohn-Muldoon, Joel Hoffman, Roberto Sierra, and Steven Stucky. Diego Vega has written music for soloists, a variety of chamber groups, symphony orchestras, wind ensembles, choral ensembles, computer and electronic music. He has incorporated elements of Colombian traditional music into some of these works. [biography from the composer's website www.diegovega.com]

Website

www.diegovega.com

Published Works

  • MÚSICA MUISCA, for orchestra
×
DIFERENCIAS, for ensemble
Colombia 3' 40" flute, clariet, violin, violoncello, piano and percussion $20.00 $40.00
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Campos, José Carlos (b. 1957)

Campos, José Carlos (b. 1957)

Biography

José Carlos Campos was born in Lima, Peru in 1957, where later studied at the National Conservatory of Music with Edgar Valcárcel, Pedro Asato and Celso Garrido-Lecca. In 1985, after graduating in composition, he obtains a scholarship by the French government to study in Paris. In 1990 he returns to Peru to teach at the National Conservatory of Music as well as working as producer for Radio Filarmonia. In 1998 he returns to France, where he obtains a master in musicology at the Sorbonne in Paris. His works has been performed throughout South and North America and Europe.

Website

unknown

Published Works

  • DANZA RÚSTICA, for orchestra
  • ALONE, Conversations With Oneself, for solo flute
  • DANZA FESTIVA, for strings
×
EPÍGRAFE, for clarinet and piano
Peru 7' 10" clarinet and piano $20.00 --
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Lecuona, Ernesto (1895-1963) LA COMPARSA (arr.Meza)
Cuba 3' 20" 2.2.2+1.2-4.2(1).3.1-timp+3-str $20.00 $120.00
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Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
TRES CANCIONES SOBRE POEMAS DE RACHEL
Bolivia 7' choir SATB $20.00 --
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Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
ADENTRARSE, for piano and ensemble
Mexico 10' 30" piano; fl, cl, hn, 2 perc, vln, vla, vc $23.00 --
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
'ZEKIEL, for clarinet and piano
Colombia 5 clarinet and piano $23.00 Part included with score
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
'ZEKIEL, for viola and piano
Colombia 5' viola and piano $23.00 Part included with score
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
MI ÁNGEL GUARDIÁN, for violin and piano
Colombia 7' violin and piano $23.00 Part included with score
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
EL CACHACOSTEÑO, for viola and piano
Colombia 5' viola and piano $23.00 Part included with score
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
CARAMANTA, for flute and piano
Colombia 3' flute and piano $23.00 Part included with score
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
LA FRITANGA, for horn and piano
Colombia 4' horn and piano $23.00 Part included with score
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Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
NOVIEMBRE FRAGMENTADO, for quintet
Mexico 13' flute, clarinet, oboe, percussion, viola and electronics $25.00 --
View Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
NOVIEMBRE FRAGMENTADO, for trio
Mexico 13' clarinet, percussion, violin and electronics $25.00 --
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
SIN NOMBRES, for countertenor, ensemble and electronics
Mexico 13' countertenor; 1111-1010-2perc-cel-pno-str.qrt-electronics $25.00 Digital Rental Only - Please contact: orders@filarmonika.com
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Arias, Mauricio (b. 1984)

Arias, Mauricio (b. 1984)

Biography

Mauricio Arias is a musician, composer, pianist and improviser, one of the most versatile Colombian musicians of his generation. He wrote Rapsodia Camaleónica for Piano, Trumpet and Orchestra on 2012, premiered it in Arizona and later the same year, presented the piece in Carnegie Hall in New York. Mr. Arias was featured as the first Colombian guest artist at the Festival Internacional de Piano de Bogotá. Mr. Arias has been featured as a soloist with Orquesta Sinfónica de Colombia, Orquesta Sinfónica de Cuba, Filarmónica del Valle, ASU Symphony Orchestra, Münster Hochschule Orchestra, Sinfónica del Tolima, Joven Sinfónica de Colombia, among others. He has been awarded different prizes at international piano competitions, such as Kingsville Isabel Scionti (Texas, 1st prize), Schmidbauer (Texas, 2nd prize), Peabody Mason (Boston, 2nd prize), Panama (special prize for best Latin American pianist), Cervantes (Havana, finalist). Prior to his studies in the USA, he was the winner of the First National Chopin Piano Competition (2005) and the winner of the UIS National piano competition in Colombia. Mr. Arias was born in Bogotá, Colombia, where he began his piano studies at age thirteen with professor Ludmiła Weber, with whom he studied until his graduation from Corpas University. He later studied with Baruch Meir and Robert Hamilton at Arizona State University (MM and DMA). He has participated in courses with Joaquín Achúcarro, Eteri Andjaparidze and Vladimir Feltsman. His composition teachers include Rodney Rogers and Jorge H. Pinzón. On 2012-2013, Mr. Arias served as teacher at Arizona School for the Arts. His works include Rapsodia Camaleónica, Toccata Bachkovsky (performed by Sydney Contemporary Orchestra musicians in Sydney), Dynamo for string quartet, Snippets for bayan accordion and, recently In Memory of 21 angels (2014) for trumpet and piano, premiered during the First Eric Aubier Latin American Trumpet Competition in Medellín. Mr. Arias has taken part in SYNTHETIS summer courses for composers, whose faculty has included Zygmunt Krauze, Chen Yi, Paul Patterson, Paweł Hendrich, Alessandro Solbiati, Philippe Manoury, Simon Steen-Andersen, Martijn Padding and Zhou Long. Mr. Arias is currently professor of piano at the University of the Andes. He is also a freelance composer and collaborative pianist.

Website

http://mauricioariasmusic.com/

Published Works

×
A LA MEMORIA DE 21 ÁNGELES, for trumpet and piano
Colombia 8' trumpet and piano $25.00 Part included with score
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
CINCO PALO$, for wind quintet
Colombia 12' fl, ob, cl, hn, bsn $25.00 $50.00
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
KALEIDOSCOPIO, for violin, violoncello and piano
Colombia 12' violin, violoncello and piano $25.00 $50.00
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
BOJAYÁ-CHOCÓ, for clarinet, bassoon, violin and piano
Colombia 6 clarinet, bassoon, violin and piano $25.00 $50.00
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Purchase Purchase
Arias, Mauricio (b. 1984)

Arias, Mauricio (b. 1984)

Biography

Mauricio Arias is a musician, composer, pianist and improviser, one of the most versatile Colombian musicians of his generation. He wrote Rapsodia Camaleónica for Piano, Trumpet and Orchestra on 2012, premiered it in Arizona and later the same year, presented the piece in Carnegie Hall in New York. Mr. Arias was featured as the first Colombian guest artist at the Festival Internacional de Piano de Bogotá. Mr. Arias has been featured as a soloist with Orquesta Sinfónica de Colombia, Orquesta Sinfónica de Cuba, Filarmónica del Valle, ASU Symphony Orchestra, Münster Hochschule Orchestra, Sinfónica del Tolima, Joven Sinfónica de Colombia, among others. He has been awarded different prizes at international piano competitions, such as Kingsville Isabel Scionti (Texas, 1st prize), Schmidbauer (Texas, 2nd prize), Peabody Mason (Boston, 2nd prize), Panama (special prize for best Latin American pianist), Cervantes (Havana, finalist). Prior to his studies in the USA, he was the winner of the First National Chopin Piano Competition (2005) and the winner of the UIS National piano competition in Colombia. Mr. Arias was born in Bogotá, Colombia, where he began his piano studies at age thirteen with professor Ludmiła Weber, with whom he studied until his graduation from Corpas University. He later studied with Baruch Meir and Robert Hamilton at Arizona State University (MM and DMA). He has participated in courses with Joaquín Achúcarro, Eteri Andjaparidze and Vladimir Feltsman. His composition teachers include Rodney Rogers and Jorge H. Pinzón. On 2012-2013, Mr. Arias served as teacher at Arizona School for the Arts. His works include Rapsodia Camaleónica, Toccata Bachkovsky (performed by Sydney Contemporary Orchestra musicians in Sydney), Dynamo for string quartet, Snippets for bayan accordion and, recently In Memory of 21 angels (2014) for trumpet and piano, premiered during the First Eric Aubier Latin American Trumpet Competition in Medellín. Mr. Arias has taken part in SYNTHETIS summer courses for composers, whose faculty has included Zygmunt Krauze, Chen Yi, Paul Patterson, Paweł Hendrich, Alessandro Solbiati, Philippe Manoury, Simon Steen-Andersen, Martijn Padding and Zhou Long. Mr. Arias is currently professor of piano at the University of the Andes. He is also a freelance composer and collaborative pianist.

Website

http://mauricioariasmusic.com/

Published Works

×
TOCCATA BACHOVSKY, for piano
Colombia 10' piano $25.00 --
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