The mission of FILARMONIKA Music Publishing is to discover and promote the musical repertoire of Latin America and the Caribbean.

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Showing 121 - 136 (of 136)
Composer Title Country Duration Instrumentation Score Parts
Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
CIRCULAR SUR, concerto for piano and orchestra
Colombia 30' 2222-4231-timp+2-pno-str $70.00 Digital Rental Only - Please contact: orders@filarmonika.com
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Agudelo, Víctor (b. 1979)

Agudelo, Víctor (b. 1979)

Biography

Winner of the 2009 ASCAP Foundation Morton Gould Young Composer Award, Colombian composer Victor Agudelo began studying classical piano and music theory at the Colombo-Venezolano School of Music. Years later Agudelo continued his popular piano studies at the Colegio de Música de Medellín. In 1998 he attended to the Universidad EAFIT to continue his music studies with a concentration in composition. Víctor studied composition and music theory with professors Andrés Posada, Moises Bertrán, Mario Gómez Vignes and Sergio Mesa. He also took piano with Lise Frank and choral conducting with Cecilia Espinosa. In 2000 and 2001 Agudelo won the EAFIT's music department composition contests with the works: "Credo" and "Sangre de Hincha" (Blood of the Fan) respectively. In July 2003 he received his undergraduate degree from Universidad EAFIT and a fellowship to continue graduate studies at the same school. Agudelo has been composer and arranger for the Orquesta Filarmónica de Bogotá, Orquesta Filarmónica de Medellín, Orquesta Sinfónica de La Habana–Cuba, Orquesta Sinfónica de Castilla y León-España, Orquesta Sinfónica Universidad EAFIT, Banda Sinfónica Universidad de Antioquia, Orquesta Sinfónica Juvenil, University of Memphis Symphony Orchestra, U of M Contemporary Chamber Players, Ensamble Vocal Arcadia, Prizm Ensemble and Montecino piano trio, International Trio among other projects. His music has been played so far in: Colombia, Spain USA, China, Belgium, Germany, Australia, Sweden, Chile, Argentina, Hungary, Cuba and Japan. In April 2005. Victor won the Smit Composition Award, prize given to outstanding composition students at the University of Memphis. During the summer 2007, Agudelo went to The Shangai Conservatory - China with the University of Memphis Symphony Orchestra as assistant conductor and also playing his chamber music for piano and other instruments.  In December 2008, Agudelo received his Doctor In Music Arts degree in composition at The University of Memphis with Professors Kamran Ince and John Baur and minor in orchestra conducting with Pu-Qi Jiang and Kraig Williams. In March 2009, Victor won The ASCAP Foundation Morton Gould Young Composer Award with the piece "Continental Prism". Currently, Agudelo is composition and theory professor at EAFIT University in Medellin- Colombia.

Website

www.victoragudelo.co

Published Works

  • EL SOMBRERÓN, for orchestra
  • LA MADRE DE AGUA, for orchestra
×
CANICAS, for concert band
Colombia 4' 2+1.2.4+1.1-2asx.2tsx.bsx-4331-bar-tmp+4 $25.00 Digital Rental Only - Please contact: orders@filarmonika.com
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Errázuriz, Sebastián (b. 1975)

Errázuriz, Sebastián (b. 1975)

Biography

Born in Santiago, Chile in 1975. His musical initiation developed from a young age, participating in choruses and studying guitar and harmony in the Academy Projazz and with private tutors. He did professional studies in composition in the Professional Institute, Modern School of Music and subsequently obtained the degree of Master of Arts in the University of Chile. His principal teachers have been: Juan Orrego-Salas, Guillermo Rifo, Jorge Martínez, Luis José Recart, Aliocha Solovera, and Toly Ramírez. Since 1999 his works have been programmed in Chile’s major orchestras, such as the Santiago Philharmonic Orchestra, Chilean Symphony Orchestra, National Youth Symphony Orchestra, Modern Orchestra, Chilean Chamber Orchestra, University of Concepción Symphony Orchestra, Camerata Los Andes, and Orquesta Mayor, among others. He has been commissioned by renowned soloists to write chamber music in various formats for concerts throughout Chile and abroad. His catalogue includes more than 35 diverse works. Among his awards are: First Place, “Jorge Peña Hen” Composition Competition for his symphonic work “La Caravana", 2003; El Sábado Magazine Young Leaders Prize, 2004; Medal of the 150th Anniverary Season of the Municipal Theater of Santiago, 2007; Diario Financiero prize for Successful Youth, 2008; Prize of the Circle of Art Critics, 2008; Altazor Prize, 2009. He has participated in the country’s main contemporary music festivals, as well as participating in the 150th Anniversary Season of the Municipal Theater of Santiago with his symphonic work “Historia del Tempo.” His work has also been selected on two occasions during “Season of Discovery “of the Chilean Symphony Orchestra. His work as composer and producer provides more than 10 recordings, among which are: “Música Descubierta” (FONDART 2003); “Música y Poesía” (Sello EM); “Viola Chilena del siglo XXI” (FONDART 2001); “Cuarteto Iniesta” (FONDART 2003), “Siete proposiciones y un epílogo” (MusicActual 2008), “Viento Blanco” (Oveja Negra 2009), as well as music for film and theater. He studies conducting with Maestro Eduardo Browne. He is director and founder of the collective "Los Musicantes de Projazz.” He also serves as the Director of Composition Careers in the Projazz Professional Institute. In March 2008 he premiered his opera “Viento Blanco” in the Teatro Municipal in Santiago with high praise from critics and the public. He is a member of the board of the National Association of Composers of Chile. For more information on Sebastian Errázuriz please visit: www.sebastianerrazuriz.cl

Website

www.sebastianerrazuriz.cl

Published Works

  • LA CARAVANA - Winner of the first 'Jorge Peña Hen' Composition Prize, 2003
  • STRING QUARTET No.1
  • CHOPINIANA No. 2, for solo piano
×
SIETE PROPOSICIONES SENSIBLES PERO SENSATAS, for string orchestra
Chile 12' 30" string orchestra $40.00 Digital Rental Only - Please contact: orders@filarmonika.com
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Errázuriz, Sebastián (b. 1975)

Errázuriz, Sebastián (b. 1975)

Biography

Born in Santiago, Chile in 1975. His musical initiation developed from a young age, participating in choruses and studying guitar and harmony in the Academy Projazz and with private tutors. He did professional studies in composition in the Professional Institute, Modern School of Music and subsequently obtained the degree of Master of Arts in the University of Chile. His principal teachers have been: Juan Orrego-Salas, Guillermo Rifo, Jorge Martínez, Luis José Recart, Aliocha Solovera, and Toly Ramírez. Since 1999 his works have been programmed in Chile’s major orchestras, such as the Santiago Philharmonic Orchestra, Chilean Symphony Orchestra, National Youth Symphony Orchestra, Modern Orchestra, Chilean Chamber Orchestra, University of Concepción Symphony Orchestra, Camerata Los Andes, and Orquesta Mayor, among others. He has been commissioned by renowned soloists to write chamber music in various formats for concerts throughout Chile and abroad. His catalogue includes more than 35 diverse works. Among his awards are: First Place, “Jorge Peña Hen” Composition Competition for his symphonic work “La Caravana", 2003; El Sábado Magazine Young Leaders Prize, 2004; Medal of the 150th Anniverary Season of the Municipal Theater of Santiago, 2007; Diario Financiero prize for Successful Youth, 2008; Prize of the Circle of Art Critics, 2008; Altazor Prize, 2009. He has participated in the country’s main contemporary music festivals, as well as participating in the 150th Anniversary Season of the Municipal Theater of Santiago with his symphonic work “Historia del Tempo.” His work has also been selected on two occasions during “Season of Discovery “of the Chilean Symphony Orchestra. His work as composer and producer provides more than 10 recordings, among which are: “Música Descubierta” (FONDART 2003); “Música y Poesía” (Sello EM); “Viola Chilena del siglo XXI” (FONDART 2001); “Cuarteto Iniesta” (FONDART 2003), “Siete proposiciones y un epílogo” (MusicActual 2008), “Viento Blanco” (Oveja Negra 2009), as well as music for film and theater. He studies conducting with Maestro Eduardo Browne. He is director and founder of the collective "Los Musicantes de Projazz.” He also serves as the Director of Composition Careers in the Projazz Professional Institute. In March 2008 he premiered his opera “Viento Blanco” in the Teatro Municipal in Santiago with high praise from critics and the public. He is a member of the board of the National Association of Composers of Chile. For more information on Sebastian Errázuriz please visit: www.sebastianerrazuriz.cl

Website

www.sebastianerrazuriz.cl

Published Works

  • LA CARAVANA - Winner of the first 'Jorge Peña Hen' Composition Prize, 2003
  • STRING QUARTET No.1
  • CHOPINIANA No. 2, for solo piano
×
GEOGRAFÍA DEL DESASTRE, for orchestra
Chile 9' 30" 2222-2200-timp-str $40.00 Digital Rental Only - Please contact: orders@filarmonika.com
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Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
DISTANT EPISODES, for two pianos
Bolivia 12' 2 pianos $40.00 --
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
TRES CANCIONES SOBRE POEMAS DE RACHEL
Bolivia 7' choir SATB $20.00 --
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
COLLIER'S RANT, for choir
Bolivia 6' 30" choir SATB $25.00 --
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
COLLIER'S RANT, for four choirs
Bolivia 6' 30" 4 choirs: SMzA, SABa, SATB, SATB $30.00 --
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
MUNIRANDO II, for violin and piano
Bolivia 14' violin and piano $25.00 --
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Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
SOUVENIR DE TEOPONTE, for double bass and piano
Bolivia 12 double bass and piano $25.00 Part included with score
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
SOUVENIR DE TEOPONTE, for violoncello and piano
Bolivia 12' violoncello and piano $25.00 Part included with score
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
TRIO, for violin, violoncello and piano
Bolivia 14' violin, violoncello and piano $25.00 $50.00
View
Purchase Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
STRING QUARTET Nº2 'SIN TIEMPO', for string quartet
Bolivia 21' string quartet $40.00 $80.00
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Purchase Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
RÍO BRAVO, for ensemble
Bolivia 11' 1(1).1.1.1(1)-1111-perc-hp-pno-str(1.1.1.1.1) $40.00 Digital Rental Only - Please contact: orders@filarmonika.com
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
COLLIER'S RANT, for string orchestra
Bolivia 7' string orchestra $30.00 Digital Rental Only - Please contact: orders@filarmonika.com
View Purchase
Fernández, Agustín (b. 1958)

Fernández, Agustín (b. 1958)

Biography

Agustín Fernández (born 1958) Following an early start as a folk singer and charango player in the late 1960s, Agustín Fernández studied composition in La Paz with Alberto Villalpando and in Japan with Takashi Iida and Akira Ifukube. In Britain he studied at Liverpool University and at London’s City University. He worked as harmony teacher at the National Conservatoire in La Paz, and as violinist and then principal viola with the Bolivian National Symphony Orchestra. In Japan he worked as assistant to the Bolivian ambassador and as Spanish instructor. In the UK he was Composer-in-Residence at Queen’s University, Belfast, then lecturer at Dartington College of Arts, before being appointed lecturer in composition at Newcastle University and, from 2007, Professor of Composition. His early works were performed by the main orchestras, choirs and chamber groups in Bolivia. In Britain, Teoponte was commissioned for the 1988 London International Opera Festival and The Wheel was commissioned by the Royal Opera House’s Garden Venture in 1992. Fuego and Peregrine have received premières at the Alice Tully Hall in Lincoln Center. The orchestral- choral work Approaching Melmoth, a preliminary exploration towards an opera he is planning on Maturin’s Melmoth the Wanderer, was performed by Northern Sinfonia and NS Chorus with Sir Thomas Allen in the solo part. Mystical Dances for orchestra was premièred at the 2006 Huddersfield Festival. In 2010 his reconstructed Misa de Corpus Christi for two choirs and orchestra filled to capacity four major venues including Cochabamba Cathedral. In February 2011 Una música escondida received performances at Bass Hall by the Fort Worth Symphony Orchestra. His works are published by Tritó of Barcelona and Tre Media of Karlsruhe. _______________________________________________________________ Agustín Fernández nació en Cochabamba, Bolivia, en 1958. Estudió composición con Alberto Villalpando en La Paz, con Takeshi Iida y Akira Ifukube en Japón y con Douglas Young en Inglaterra, donde cursó una maestría (Universidad de Liverpool) y un doctorado (City University, Londres). Ha trabajado como profesor de armonía en el Conservatorio Nacional de La Paz, guía de violas en la Orquesta Sinfónica Nacional, compositor en residencia en Queen’s University de Belfast y como docente en composición, primero en Dartington College y luego en la Universidad de Newcastle (Inglaterra), donde en 2007 fue promovido a la cátedra de composición. Ha escrito óperas y obras orquestales, electroacústicas y de cámara, que han sido ejecutadas por agrupaciones como la Orquesta Sinfónica Nacional de Bolivia, Orquesta de Ulster, Orquesta de la BBC, Fort Worth Symphony, Juilliard Symphony, New Juilliard Ensemble, Royal Opera House Garden Venture, Nuove Forme Sonore, Northern Sinfonia, Orchestra Sinfonica di Perugia, Orquesta Sinfónica de Castilla y León y otras. Retorna a Bolivia con regularidad, liderando proyectos creativo o interpretativos en instituciones como Orquesta Sinfónica Juvenil de El Alto, Conservatorio Nacional de Música, Instituto Laredo y Universidad Católica Boliviana.

Website

www.agustinfernandez.com

Published Works

  • UNA MÚSICA ESCONDIDA, for piano and strings
×
NOTES FROM UNDERGROUND, for baritone, choir and ensemble
Bolivia 18' baritone, choir; 1(1).1(1).1(Acl).1(1)-1100-2perc-pno-str(1.1.1.1.1) $50.00 Digital Rental Only - Please contact: orders@filarmonika.com
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