The mission of FILARMONIKA Music Publishing is to discover and promote the musical repertoire of Latin America and the Caribbean.

Distributed By Filarmonika

Showing 1 - 20 (of 20)
Composer Title Country Duration Instrumentation Score Parts
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
AMANECE, for countertenor and orchestra
Mexico 15' Countertenor; 2(2).1(1).2+1.2-2120-tmp+3-hp-cel-clv-str $40.00 Digital Rental Only - Please contact: orders@filarmonika.com
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
ADENTRARSE, for piano and ensemble
Mexico 10' 30" piano; fl, cl, hn, 2 perc, vln, vla, vc $23.00
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Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
CLAROSCURO, for quintet
Mexico 5' flute, clarinet, vibraphone, harp and piano $16.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
CANTO EMPEDRADO, for ensemble
Mexico 9' Eh, bsn, hn, tpt, tbn, vla, vc $20.00
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Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
CLAROSCURO, for septet
Mexico 5 flute, clarinet, piano and string quartet $16.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
INVIERNO EN LAS MANOS, for soprano, hapsichord and string ensemble
Mexico 7' 30" S, hpsc; 6 vln, 3 vla, 3 vc, db $30.00 Digital Rental Only - Please contact: orders@filarmonika.com
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
NOCTURNO ELÉCTRICO, for electric guitar and orchestra
Mexico 13' elec. guit; 2(afl:pic,afl).1+1.2(2Acl)+1.2(2)-asx-4331-tmp+3-hp-pno-str $40.00 Digital Rental Only - Please contact: orders@filarmonika.com
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
NOVIEMBRE FRAGMENTADO, for quintet
Mexico 13' flute, clarinet, oboe, percussion, viola and electronics $25.00
View Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
NOVIEMBRE FRAGMENTADO, for trio
Mexico 13' clarinet, percussion, violin and electronics $25.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
ABANICO IMAGINARIO, for solo viola
Mexico 8' viola $20.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
ÁRBOL ADENTRO, for soprano and piano
Mexico 7' soprano and piano $20.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
EL AFILADOR, for violoncello and electronics
Mexico 8' 30" violoncello and electronics $18.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
LE CANTIQUE DU SOLEIL, for 2 marimbas
Mexico 14' 2 marimbas $16.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
TORO MATA, for violin and violoncello
Mexico 2' 10" violin and violoncello $14.00
View
Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
TUM TUM, for bass drum and electronics
Mexico 7' 20" bass drum and electronics $18.00
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Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
SIN NOMBRES, for countertenor, ensemble and electronics
Mexico 13' countertenor; 1111-1010-2perc-cel-pno-str.qrt-electronics $25.00 $100.00
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Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
ÁRBOL DE ABRIL, for violoncello and ensemble
Mexico 11' 20" violoncello; fl, cl, hn, perc, pno, hp, guit, 2 vln, vla, vc, db $27.00 $120.00
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Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
ARDER APRENDER, for coutertenor, ensemble and electronics
Mexico 21' coutertenor; 1(1).1.1(1).1-2110-2perc-hp-cymbalum-pno(cel)-str(1.1.2.2.1)-electronics $35.00 $150.00
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Purchase Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
TANGO DE BODAS, for string quartet
Mexico 3' string quartet $15.00 $35.00
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Purchase Purchase
Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

×
PATER NOSTER, for soprano, choir and chamber orchestra
Mexico 13' 30" soprano, choir; 1211-2000-str $18.00 $80.00
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