The mission of FILARMONIKA Music Publishing is to discover and promote the musical repertoire of Latin America and the Caribbean.

Latin American Works

Showing 61 - 80 (of 155)
Composer Title Country Duration Instrumentation Score Parts
López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
×
OF BELLS AND BROKEN SHADOWS, for cello and piano
Peru 6' cello and piano $40.00 piano score and cello part included
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Junchaya, Rafael L. (b. 1967)

Junchaya, Rafael L. (b. 1967)

Biography

Peruvian composer, orchestral conductor and music researcher, was born in Lima in 1965. Started piano lessons in 1973 with Ivonne Schiaffino and continued at the National Conservatory with Eduardo Bolaños (violin) and Norma Sosa (Theory) between 1975 and 76. In 1983 began studying Architecture at the National Engineering University in Lima, where he also became a member of the chorus. In 1988 comes back to the National Conservatory to study Composition, quitting the university next year. Since 1990 until 2002 worked at Radio Filarmonía (formerly Sol Armonía), conducting several programs, among them, “Crescendo” (1993). In 1992 travelled to La Serena, Chile, to attend the 4th Contemporary Music Encounter-Latin American Courses and Workshops, where he gave a workshop on MIDI instruments. He studied orchestral conducting with Miguel Harth-Bedoya between 1994 and 1996 and visited New York City in 1995 for complementary training. He later attended courses in orchestral conducting at the National Conservatory in Lima, between 2000 and 2003, with Eduardo García-Barrios. Also attended an orchestral conducting workshop at the National Symphony in 2002 with David McKenzie. Junchaya has been invited to conduct the National Conservatory Symphony Orchestra (1994, 2002 and 2003 as guest, and 2004 as principal), Symphony Orchestra of Trujillo (Peru, 1996, 1999), the Summer Workshop Orchestra, which he co-founded (1996) and has been principal conductor of “La Filarmónica” Orchestra between 2005 and 2007. He has been a teacher of Analysis, Music History and Composition at the Regional Conservatory “Carlos Valderrama” of Trujillo (1998–99), the National Conservatory in Lima (2000–07), the San Martín University Institute of Arts (2006–07) and the Peruvian Air Force (2007). His compositions have been premiered in several concerts and recitals in Peru and abroad. Among his works, it can be mentioned: Yaraví for violin or viola and piano, Piano Prelude Op.1, Picaflor esmeralda and Ave Maria for chorus, Estancias II for voice and string quartet, Variantes motímbricas for clarinet, trumpet and synteziser, Marsyatikos for flute and piano, Three Episkenic Dances, for clarinet, sax and piano, Concerto Silvestre for bass clarinet and orchestra, and Symphonic Movement, Esquisse and Varidanzas for orchestra. He has also created several electroacoustic pieces, like Piedra del Q'osqo, Ccoyllurcha, In-vita, Die Erscheinung, Sevoc Anatos and Tambok. Junchaya has been awarded two composition prizes, at the 2005 Composers Kombat, in USA (for Magnificat for two sopranos, flute, oboe and horn) and in Lima the National Conservatory Anniversary Prize in 2006 for Varidanzas. At present moment, Rafael L. Junchaya is researching for a Musicology PhD thesis on musical composition at the University of Helsinki, Finland, where he is also a lecturer on Peruvian music.

Website

unknown

Published Works

  • VARIDANZAS Op.12 - Homage to Béla Bartók
×
VARIDANZAS Op.12 - Homage to Béla Bartók
Peru 10' 2222-4231-timp-perc (2)-hp, hscd/cel-str $50.00 Rental only - Please contact orders@filarmonika.com
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Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
Peru solo piano $50.00
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Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
Peru voice and piano $50.00
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
  • THE COMPLETE CATALOG
×
RETABLOS SINFÓNICOS
Peru 20' 3*3*3*3*-4331-timp-perc (4 or 5)-hp-pno-str $80.00 Rental only - Please contact orders@filarmonika.com
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
  • THE COMPLETE CATALOG
×
SUITE PERUANA, for strings
Peru 7'30" strings $40.00 Rental only - Please contact orders@filarmonika.com
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
  • THE COMPLETE CATALOG
×
LAUDES I, for orchestra
Peru 14' 2222-0220-timp 2-pno-str $50.00 Rental only - Please contact orders@filarmonika.com
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Garrido-Lecca, Gonzalo (b. 1975)

Garrido-Lecca, Gonzalo (b. 1975)

Biography

Gonzalo Garrido-Lecca´s music has been performed widely in many concert halls of different countries such as Spain, Argentina, Finland, Peru, Chile, Romania and the United States. He writes mainly concert music but also collaborates frequently with artists from other disciplines and has written music for video, dance and theatre. His most recent works evolve within a aesthetic standpoint that gives primordial importance to harmony, based on natural resonance, that is articulated in rich polyphonic textures, vigorous rythmic impulses and clear formal stuctures. Works like 'Alemí' (2007) for ensemble, 'Caleidoscopio' for six instrumentalists, and the orchestral work 'Solar' (2014) show this approach. In other works like 'Tarkas' (2013), he incorporates the expression of the folkloric music of the Andes, blending the rich tradition of South American folk music with the latest trends of contemporary concert music, in an attempt to create a new form of imaginary folklore. Mr. Garrido-Lecca has also appeared as piano accompanist in several concerts featuring his own music, and has played live on theatre plays. He currently is professor of Composition, and Musical Analysis at the Music School of Pontificia Universidad Católica del Perú (PUPC). He has received first prize in Choral writing contest 'Ciudad de Getafe 2005', Second prize in Composition contest organized by IPAE 1999, and second prize in 'Young Composers Contest Sgae-Fundación Autor 2009' . [Bio taken from the composer's webpage: www.gonzalogarrido-lecca.com]

Website

http://www.gonzalogarrido-lecca.com

Published Works

  • ARCANO, for strings
  • ARCANO, for string quartet
  • TOCCATA Op. 1, for orchestra
  • DELIRIOS, for ensemble
  • ALEMÍ, for ensemble
  • TRAMAS, for solo piano
  • RETRATOS, for guitar
×
TOCCATA Op. 1, for orchestra
Peru 7'15" 33*3*3*-4331-timp-perc (2 or 3)-pno-strings $50.00 Rental only - Please contact orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) CASCAY, Huayno Sinfónico
Peru 7' 3*222-4231-timp-perc (1)-str $45.00 Rental only - Please contact orders@filarmonika.com
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Torrejón Y Velasco, Tomás De (1644-1728) A ESTE SOL PEREGRINO
Peru 6' mixed choir (SATB)-1111-0000-perc (3)-charango-hp (or continuo)- 2vlns, 1vcl, 1db $30.00 $120.00
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Garrido-Lecca, Gonzalo (b. 1975)

Garrido-Lecca, Gonzalo (b. 1975)

Biography

Gonzalo Garrido-Lecca´s music has been performed widely in many concert halls of different countries such as Spain, Argentina, Finland, Peru, Chile, Romania and the United States. He writes mainly concert music but also collaborates frequently with artists from other disciplines and has written music for video, dance and theatre. His most recent works evolve within a aesthetic standpoint that gives primordial importance to harmony, based on natural resonance, that is articulated in rich polyphonic textures, vigorous rythmic impulses and clear formal stuctures. Works like 'Alemí' (2007) for ensemble, 'Caleidoscopio' for six instrumentalists, and the orchestral work 'Solar' (2014) show this approach. In other works like 'Tarkas' (2013), he incorporates the expression of the folkloric music of the Andes, blending the rich tradition of South American folk music with the latest trends of contemporary concert music, in an attempt to create a new form of imaginary folklore. Mr. Garrido-Lecca has also appeared as piano accompanist in several concerts featuring his own music, and has played live on theatre plays. He currently is professor of Composition, and Musical Analysis at the Music School of Pontificia Universidad Católica del Perú (PUPC). He has received first prize in Choral writing contest 'Ciudad de Getafe 2005', Second prize in Composition contest organized by IPAE 1999, and second prize in 'Young Composers Contest Sgae-Fundación Autor 2009' . [Bio taken from the composer's webpage: www.gonzalogarrido-lecca.com]

Website

http://www.gonzalogarrido-lecca.com

Published Works

  • ARCANO, for strings
  • ARCANO, for string quartet
  • TOCCATA Op. 1, for orchestra
  • DELIRIOS, for ensemble
  • ALEMÍ, for ensemble
  • TRAMAS, for solo piano
  • RETRATOS, for guitar
×
DELIRIOS, for ensemble
Peru 8' 1111-0000-perc-pno-1 vln-1 vla-1 vcl-1 db $30.00 $120.00
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Garrido-Lecca, Gonzalo (b. 1975)

Garrido-Lecca, Gonzalo (b. 1975)

Biography

Gonzalo Garrido-Lecca´s music has been performed widely in many concert halls of different countries such as Spain, Argentina, Finland, Peru, Chile, Romania and the United States. He writes mainly concert music but also collaborates frequently with artists from other disciplines and has written music for video, dance and theatre. His most recent works evolve within a aesthetic standpoint that gives primordial importance to harmony, based on natural resonance, that is articulated in rich polyphonic textures, vigorous rythmic impulses and clear formal stuctures. Works like 'Alemí' (2007) for ensemble, 'Caleidoscopio' for six instrumentalists, and the orchestral work 'Solar' (2014) show this approach. In other works like 'Tarkas' (2013), he incorporates the expression of the folkloric music of the Andes, blending the rich tradition of South American folk music with the latest trends of contemporary concert music, in an attempt to create a new form of imaginary folklore. Mr. Garrido-Lecca has also appeared as piano accompanist in several concerts featuring his own music, and has played live on theatre plays. He currently is professor of Composition, and Musical Analysis at the Music School of Pontificia Universidad Católica del Perú (PUPC). He has received first prize in Choral writing contest 'Ciudad de Getafe 2005', Second prize in Composition contest organized by IPAE 1999, and second prize in 'Young Composers Contest Sgae-Fundación Autor 2009' . [Bio taken from the composer's webpage: www.gonzalogarrido-lecca.com]

Website

http://www.gonzalogarrido-lecca.com

Published Works

  • ARCANO, for strings
  • ARCANO, for string quartet
  • TOCCATA Op. 1, for orchestra
  • DELIRIOS, for ensemble
  • ALEMÍ, for ensemble
  • TRAMAS, for solo piano
  • RETRATOS, for guitar
×
ALEMÍ, for ensemble
Peru 10' 1111-0000-pno-1 vln,1 vla, 1 vcl, 1 db-perc $30.00 $120.00
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Garrido-Lecca, Gonzalo (b. 1975)

Garrido-Lecca, Gonzalo (b. 1975)

Biography

Gonzalo Garrido-Lecca´s music has been performed widely in many concert halls of different countries such as Spain, Argentina, Finland, Peru, Chile, Romania and the United States. He writes mainly concert music but also collaborates frequently with artists from other disciplines and has written music for video, dance and theatre. His most recent works evolve within a aesthetic standpoint that gives primordial importance to harmony, based on natural resonance, that is articulated in rich polyphonic textures, vigorous rythmic impulses and clear formal stuctures. Works like 'Alemí' (2007) for ensemble, 'Caleidoscopio' for six instrumentalists, and the orchestral work 'Solar' (2014) show this approach. In other works like 'Tarkas' (2013), he incorporates the expression of the folkloric music of the Andes, blending the rich tradition of South American folk music with the latest trends of contemporary concert music, in an attempt to create a new form of imaginary folklore. Mr. Garrido-Lecca has also appeared as piano accompanist in several concerts featuring his own music, and has played live on theatre plays. He currently is professor of Composition, and Musical Analysis at the Music School of Pontificia Universidad Católica del Perú (PUPC). He has received first prize in Choral writing contest 'Ciudad de Getafe 2005', Second prize in Composition contest organized by IPAE 1999, and second prize in 'Young Composers Contest Sgae-Fundación Autor 2009' . [Bio taken from the composer's webpage: www.gonzalogarrido-lecca.com]

Website

http://www.gonzalogarrido-lecca.com

Published Works

  • ARCANO, for strings
  • ARCANO, for string quartet
  • TOCCATA Op. 1, for orchestra
  • DELIRIOS, for ensemble
  • ALEMÍ, for ensemble
  • TRAMAS, for solo piano
  • RETRATOS, for guitar
×
TRAMAS, for solo piano
Peru 7' solo piano $25.00
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López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
×
INCUBUS II, for chamber ensemble
Peru 17' alto sax-baritone sax-perc-Pno $0.00
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López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
×
TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
Peru 3' wind orchestra $30.00 $150.00
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López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
×
LAGO DE LÁGRIMAS, for flute and orchestra
Peru 20' flute; 2(1)222-4231-perc (2)-hp-str $70.00 Rental only - Please contact orders@filarmonika.com
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Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
Peru 21' soprano; 1121-2211-str $65.00 Rental only - Please contact orders@filarmonika.com
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Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

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Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
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TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
Peru 20' chorus; 2+1.2(1).2.2-4221-timp-perc (5)-charango-hp-celesta-pno-str $75.00 Rental only - Please contact orders@filarmonika.com
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
  • THE COMPLETE CATALOG
×
SOLILOQUIO II, for cello
Peru 7'20'' cello $20.00
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
  • THE COMPLETE CATALOG
×
ORDEN No.1, for solo piano
Peru solo piano $25.00
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