The mission of FILARMONIKA Music Publishing is to discover and promote the musical repertoire of Latin America and the Caribbean.

Latin American Works

Showing 81 - 100 (of 164)
Composer Title Country Duration Instrumentation Score Parts
Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • THE COMPLETE CATALOG
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
×
STRING QUARTET No.3
Peru 19' string quartet $30.00 Please enquire at orders@filarmonika.com
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Valle-Riestra, José María (1858-1925)

Valle-Riestra, José María (1858-1925)

Biography

Lima, Peru 1858-1925. Studied in Peru and Europe. Among his works: Elegy for orchestra and the opera "Ollanta". Chanson d'amour was composed in 1910 and is dedicated to the Sociedad Filarmónica de Lima.

Website

Published Works

  • ELEGÍA, for orchestra
  • Chant d'amour
×
Chant d'amour
Peru 2'40" 1121-2200-timp-hp-str $30.00
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • THE COMPLETE CATALOG
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
×
RETABLOS SINFÓNICOS
Peru 20' 3*3*3*3*-4331-timp-perc (4 or 5)-hp-pno-str $80.00 Rental only - Please contact orders@filarmonika.com
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López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
  • SYMPHONY NO. 2: AD ASTRA
  • DREAMERS, an oratorio for soprano, mixed chorus, and orchestra
×
LAGO DE LÁGRIMAS, for flute and orchestra
Peru 20' flute; 2(1)222-4231-perc (2)-hp-str $70.00 Rental only - Please contact orders@filarmonika.com
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Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
Peru 20' chorus; 2+1.2(1).2.2-4221-timp-perc (5)-charango-hp-celesta-pno-str $75.00 Rental only - Please contact orders@filarmonika.com
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • THE COMPLETE CATALOG
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
×
SYMPHONY No.2, "Introspections"
Peru 20' mixed choir; 33*4*3-6331-timp 2-hp-pno-str $80.00 Rental only - Please contact orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) VALLEJIANAS, for choir and piano
Peru 20' mixed choir and piano $0.00 Coming soon - enquire at orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) SELVA, for orchestra
Peru 20' 3*23*2-4220-timp 3-str $0.00 Coming soon - enquire at orders@filarmonika.com
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Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
Peru 21' soprano; 1121-2211-str $65.00 Rental only - Please contact orders@filarmonika.com
View
Purchase
Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
SUITE, for orquesta
Peru 21' 3*232-4331-timp 3-cel-pno-str $70.00 Rental only - Please contact orders@filarmonika.com
View Purchase
López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
  • SYMPHONY NO. 2: AD ASTRA
  • DREAMERS, an oratorio for soprano, mixed chorus, and orchestra
×
LORD OF THE AIR, concerto for cello and orchestra
Peru 22' solo cello; 2*222*-4200-timp-perc (2)-hp-str $70.00 Rental only - Please contact orders@filarmonika.com
View Purchase
Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • THE COMPLETE CATALOG
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
×
SYMPHONY No.1
Peru 23' 3*3*3*3*-4331-timp 2-hp-pno-str $80.00 Rental only - Please contact orders@filarmonika.com
View Purchase
Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • THE COMPLETE CATALOG
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
×
STRING QUARTET No.2
Peru 23' string quartet $30.00 $70.00
View Purchase Purchase
López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
  • SYMPHONY NO. 2: AD ASTRA
  • DREAMERS, an oratorio for soprano, mixed chorus, and orchestra
×
LOS MAGOS DEL SILENCIO, orchestral suite
Peru 24' 2222-4231-timp-Perc (2)-str $75.00 Rental only - Please contact orders@filarmonika.com
View
Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
SINFONÍA JUNÍN Y AYACUCHO: 1824
Peru 25' 3*3*33-4331-timp-perc-str $90.00 Rental only - Please contact orders@filarmonika.com
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López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
  • SYMPHONY NO. 2: AD ASTRA
  • DREAMERS, an oratorio for soprano, mixed chorus, and orchestra
×
BEL CANTO: AN OPERA IN THREE ACTS
Peru 2h 30' 3333-4331-timp-perc(3)-hp-pn-str $450.00 Rental only - Please contact orders@filarmonika.com
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Alzedo, José Bernardo (1788-1878)

Alzedo, José Bernardo (1788-1878)

Biography

José Bernardo Alzedo (August 20, 1788 – December 28, 1878), was one of the most important Peruvian composers of the nineteenth century. Born in Lima, Peru, studied music at the Convent of San Agustín and in 1821 was the winner of a contest sponsored by General José de San Martín to choose a national anthem for Peru. In 1822, Alzedo went to Chile as a soldier in a military band which he left years later in order to dedicate completely to music. In 1846 he became kapellmeister of the Cathedral of Santiago. After living 40 years in Chile he returned to Peru in 1864 to become director of the Peruvian Military Band and president of the Philharmonic. He spent the last years of his life in Peru. He wrote the book "Elemental Philosophy of Music" (1869), where he explored the subject of the music of the Quechuas. He composed folk songs, numerous religious works, and military music. ______________________________________________________________________________________________________________________ José Bernardo Alzedo (Agosto 20, 1788 – Diciembre 28, 1878) fue uno de los compositores peruanos más importantes del Siglo XIX. Estudió música en el Convento de San Agustín, donde fue alumno de los sacerdotes Cipriano Aguilar y Pascual Neves. En 1807, vistió el hábito de hermano dominico y asumió la enseñanza de los niños coristas del Convento de Santo Domingo. En 1821, participó en el concurso que convocó don José de San Martín para elegir el Himno Nacional del Perú. Su composición musical resultó vencedora, junto a la letra de don José de la Torre Ugarte. En 1822, viajó a Chile donde siguió dedicándose a la música. En 1833, ingresó a la coro de la Catedral de Santiago, donde fue Maestro durante 18 años. En 1864, regresó a Lima a pasar sus últimos años. Siguió componiendo muchas canciones religiosas y patrióticas. También escribió el libro "Filosófía elemental de la música" (1869).

Website

Published Works

  • HIMNO NACIONAL DEL PERÚ (National Anthem of Peru) Orch. Rebagliati
×
HIMNO NACIONAL DEL PERÚ (National Anthem of Peru) Orch. Rebagliati
Peru 3' 3*2222alto sax-4331-perc (2)-str $40.00 Please enquire
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López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
  • SYMPHONY NO. 2: AD ASTRA
  • DREAMERS, an oratorio for soprano, mixed chorus, and orchestra
×
TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
Peru 3' wind orchestra $30.00 $150.00
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Iturriaga, Enrique (b. 1918)

Iturriaga, Enrique (b. 1918)

Biography

The renowned Peruvian composer Enrique Iturriaga was born in Lima in 1918. Between 1924 and 1939 he studied piano with Lily Rosay and began his studies in Theory and Harmony with Andrés Sas. After a time studying Economics at the Catholic University of Peru, he decided to dedicate himself to composition and was admitted to the National Conservatory of Music, where he studied this specialty with Rodolfo Holzmann from 1945 to 1950 and graduated as Professor of Composition in 1954. Still a student, in 1947 he was awarded the National Prize "Duncker-Lavalle" for his work “Canción y Muerte de Rolando” for voice and orchestra, with text by the poet Jorge Eduardo Eielson. The work was premiered in 1949 by Theo Buchwald and the National Symphony Orchestra of Peru, with Gloria Colmenares as the soloist. In 1950 he travelled to Paris thanks to a scholarship from the French government, and studied with Arthur Honegger during 1950 and 1951. Upon his return to Peru, along with composition and teaching, he worked as chorus conductor and took part in the school music scene until 1958. Between 1953 and 1960 worked as a music critic for the newspaper "El Comercio” in Lima. In April of 1957 he was awarded the "Juan Landaeta" Prize for his work “Suite” for orchestra, in the competition celebrating the occasion of the Second Latin-American Festival of Caracas. The jury was comprised of Aaron Copland, Alberto Ginastera, Carlos Chávez, Domingo Santa Cruz and Juan Bautista Plaza. “Suite” was premiered by Carlos Chávez in Caracas, and a year later in Lima. In 1963 he travelled to the United States to acquaint himself with its universities and other higher institutions in the music field, and to study the work being done there. He visited Columbia University, Harvard University, University of Rochester, North Pacific University, University of Texas at Austin, Howard University, University of California, Berkeley, Stanford University, University of California, Los Angeles, Massachusetts Institute of Technology (MIT) and The Juilliard School, among others. That same year he travelled to Santiago, having been invited by the University of Chile to attend the Pan- American Congress of Musical Educators. The following year, in 1964, he returned to Chile to serve as a jury member at the Biennial Competition of Chilean Music. In 1965 he composed his symphonic work “Vivencias”, commissioned by the Committee for the Third Pan- American Festival in Washington D.C. and premiered by Lukas Foss and the Buffalo Symphony Orchestra. In Peru he has also written music for the theatrical works of Sebastián Salazar Bondy, Julio Ramón Ribeyro and Alfonso La Torre, among others. Maestro Iturriaga has taught music from 1957 to present, mainly at the National Conservatory of Music (Composition, Harmony and Analysis), where he was Director between 1973 and 1976, and where he is, at present, Emeritus Professor. Until 1987 he was also a professor in the Arts Department – and is now Emeritus Professor– of the School of Letters at the prestigious National University of San Marcos, the oldest university in the Americas. Among his other works that have received awards are “Homenaje a Stravinsky”, composed in 1971 for cajón and orchestra, for which he received again the "Duncker-Lavalle" prize, and his Symphony “Junín y Ayacucho”, composed in 1974, for which he won the "Army of Peru" Prize. Enrique Iturriaga is co-author of the book “Music in Peru”, published by Patronato Popular y Porvenir in 1985. In 1988 The National University of San Marcos published his “Method of Melodic Composition”, a synthesis of the work that he developed in Lima and Quito for the Regional Program of Musicology (UNESCO-PNDP) between 1978 and 1981. In addition to the aforementioned works, other highlights are his works for piano: “Pregón y danza, “La máquina”, “Ensayos interválicos” and “Tres piezas para piano”; his works for voice and piano: “Cuatro poemas de Javier Heraud”, “Dos ejercicios poéticos” and “Tres poemas de ‘Sin título’ de Eielson”; his chamber works: “Expresiones” for violin, “Llamadas y fuga para un Santiago” for brass ensemble, “Manormeyor” for string quartet, “Pequeña suite” for violin and cello, and “Paisaje” for flute and guitar; and his choral works: “Las cumbres”, “Adivina, adivinanza…”, “Tres huaynos de Navidad”, “Tres adivinanzas” for children, “Viene y va y vueltas da” and “Desiertos”; and other works: “Obertura para una comedia”, “…De la lírica campesina”, “Tres canciones para coro y orquesta” and “Tres danzas de William Byrd”. In celebration of his 90th birthday, in October 2008 and March 2009 Enrique Iturriaga was invited to attend concerts of his “Sinfonía Junín y Ayacucho” in the cities of Fort Worth and Madrid, respectively. Both presentations were under the baton of renowned conductor Miguel Harth-Bedoya, and the concert in Madrid, with the National Symphony Orchestra of Spain, was recorded and broadcast by Spanish Radio and Television Corporation (RTVE).

Website

unknown

Published Works

  • HOMENAJE A STRAVINSKY, for orchestra
  • DE LA LÍRICA CAMPESINA, for voice and ensemble
  • SINFONÍA JUNÍN Y AYACUCHO: 1824
  • OBERTURA PARA UNA COMEDIA, for orchestra
  • WORKS FOR PIANO (Contains: Pregón y Danza,Tres Piezas para piano, Ensayos Interválicos, Movimiento Perpetuo)
  • WORKS FOR VOICE AND PIANO (Contains: Cuatro Poemas de Javier Heraud, Dos Ejercicios Poéticos, Tres Poemas)
  • CANCIÓN Y MUERTE DE ROLANDO, for soprano and orchestra
  • TRES CANCIONES PARA CORO Y ORQUESTA (Three Songs for Choir and Orchestra)
  • LLAMADAS Y FUGA PARA UN SANTIAGO, for brass ensemble
  • MANORMEYOR, for string quartet
  • PEQUEÑA SUITE, for violin and cello
  • SUITE, for orquesta
  • WORKS FOR CHOIR
  • OBERTURA PARA UNA COMEDIA, for 2 pianos
  • VIVENCIAS, for orchestra
  • THE COMPLETE WORKS
×
OBERTURA PARA UNA COMEDIA, for orchestra
Peru 3'30 3*3*3*3-4231-timp-perc-hp-pno-str $40.00 Rental only - Please contact orders@filarmonika.com
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Campos, José Carlos (b. 1957)

Campos, José Carlos (b. 1957)

Biography

José Carlos Campos was born in Lima, Peru in 1957, where later studied at the National Conservatory of Music with Edgar Valcárcel, Pedro Asato and Celso Garrido-Lecca. In 1985, after graduating in composition, he obtains a scholarship by the French government to study in Paris. In 1990 he returns to Peru to teach at the National Conservatory of Music as well as working as producer for Radio Filarmonia. In 1998 he returns to France, where he obtains a master in musicology at the Sorbonne in Paris. His works has been performed throughout South and North America and Europe.

Website

unknown

Published Works

  • DANZA RÚSTICA, for orchestra
  • ALONE, Conversations With Oneself, for solo flute
  • DANZA FESTIVA, for strings
×
DANZA RÚSTICA, for orchestra
Peru 3'30" 3*222-2200-timp-perc (3)-str $30.00 Please enquire at orders@filarmonika.com
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