The mission of FILARMONIKA Music Publishing is to discover and promote the musical repertoire of Latin America and the Caribbean.

Latin American Works

Composer Title Country Duration Instrumentation Score Parts
López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
  • SYMPHONY NO. 2: AD ASTRA
  • DREAMERS, an oratorio for soprano, mixed chorus, and orchestra
  • MAN AND MAN, for countertenor and ensemble
  • MAN AND MAN, for countertenor and piano
  • VIAJE A TI, for soprano and piano
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AMÉRICA SALVAJE, for orchestra
Peru 14' 2222-3331-perc (4)-pno-str $75.00 Rental only - Please contact orders@filarmonika.com
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Rebagliati, Claudio (1843-1909) RAPSODIA PERUANA, for orchestra
Italy-Peru 12' 2222-4221-timp-perc (3)-str $40.00 Rental only - Please contact orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) FANTASÍA ZAÑA, for orchestra
Peru 7' 2222-4230-timp 2-str $40.00 Rental only - Please contact orders@filarmonika.com
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Junchaya, Rafael L. (b. 1967)

Junchaya, Rafael L. (b. 1967)

Biography

Peruvian composer, orchestral conductor and music researcher, was born in Lima in 1965. Started piano lessons in 1973 with Ivonne Schiaffino and continued at the National Conservatory with Eduardo Bolaños (violin) and Norma Sosa (Theory) between 1975 and 76. In 1983 began studying Architecture at the National Engineering University in Lima, where he also became a member of the chorus. In 1988 comes back to the National Conservatory to study Composition, quitting the university next year. Since 1990 until 2002 worked at Radio Filarmonía (formerly Sol Armonía), conducting several programs, among them, “Crescendo” (1993). In 1992 travelled to La Serena, Chile, to attend the 4th Contemporary Music Encounter-Latin American Courses and Workshops, where he gave a workshop on MIDI instruments. He studied orchestral conducting with Miguel Harth-Bedoya between 1994 and 1996 and visited New York City in 1995 for complementary training. He later attended courses in orchestral conducting at the National Conservatory in Lima, between 2000 and 2003, with Eduardo García-Barrios. Also attended an orchestral conducting workshop at the National Symphony in 2002 with David McKenzie. Junchaya has been invited to conduct the National Conservatory Symphony Orchestra (1994, 2002 and 2003 as guest, and 2004 as principal), Symphony Orchestra of Trujillo (Peru, 1996, 1999), the Summer Workshop Orchestra, which he co-founded (1996) and has been principal conductor of “La Filarmónica” Orchestra between 2005 and 2007. He has been a teacher of Analysis, Music History and Composition at the Regional Conservatory “Carlos Valderrama” of Trujillo (1998–99), the National Conservatory in Lima (2000–07), the San Martín University Institute of Arts (2006–07) and the Peruvian Air Force (2007). His compositions have been premiered in several concerts and recitals in Peru and abroad. Among his works, it can be mentioned: Yaraví for violin or viola and piano, Piano Prelude Op.1, Picaflor esmeralda and Ave Maria for chorus, Estancias II for voice and string quartet, Variantes motímbricas for clarinet, trumpet and synteziser, Marsyatikos for flute and piano, Three Episkenic Dances, for clarinet, sax and piano, Concerto Silvestre for bass clarinet and orchestra, and Symphonic Movement, Esquisse and Varidanzas for orchestra. He has also created several electroacoustic pieces, like Piedra del Q'osqo, Ccoyllurcha, In-vita, Die Erscheinung, Sevoc Anatos and Tambok. Junchaya has been awarded two composition prizes, at the 2005 Composers Kombat, in USA (for Magnificat for two sopranos, flute, oboe and horn) and in Lima the National Conservatory Anniversary Prize in 2006 for Varidanzas. At present moment, Rafael L. Junchaya is researching for a Musicology PhD thesis on musical composition at the University of Helsinki, Finland, where he is also a lecturer on Peruvian music.

Website

unknown

Published Works

  • VARIDANZAS Op.12 - Homage to Béla Bartók
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VARIDANZAS Op.12 - Homage to Béla Bartók
Peru 10' 2222-4231-timp-perc (2)-hp, hscd/cel-str $50.00 Rental only - Please contact orders@filarmonika.com
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López, Jimmy (b. 1978)

López, Jimmy (b. 1978)

Biography

Jimmy López was born in Lima, Peru in 1978. In 1998 was admitted to the National Conservatory of Music in Lima where he studied with renowned Peruvian composer Enrique Iturriaga. In July 2000 he was admitted to the Sibelius Academy in Helsinki, Finland where he studied with Veli-Matti Puumala and Eero Hämeenniemi. He has been awarded the ORCHESTRA COMPOSITION AWARD - SävellYS 2006 Composition Competition (Finland) for his orchestral work “The Plea”; the STIPENDIENPREIS at the International Course for Contemporary Music, Darmstadt 2006 (Germany) for his chamber work “Kraftmaschine”; an HONORABLE MENTION at the Irino Composition Prize for Chamber Music 2005 (Japan) for his string quartet “La Caresse du Couteau”; the FIRST PRIZE - ALEA III 2003 International Composition Competition (USA) for his piece “K’asa” for violin and piano; and the ORCHESTRA PRIZE - CCA International Composition Competition 2002 (Taiwan) for his orchestral work “Carnynx”. In May 2004 his ballet "Los Magos del Silencio" was presented in Lima. Later on in the same year, his Concerto for Koto and Orchestra was premiered by the UMA Kamerorkest in The Netherlands with Makiko Goto as soloist. In June 2005, "Kraftmaschine", for recorders and percussion, was premiered in Germany. This piece was commissioned by the ADevantgarde Festival in collaboration with the Orff- Zentrum, Munich. His orchestral work Fiesta! has been premiered by the Baltimore Symphony Orchestra, and subsequent performances with the Fort Worth Symphony Orchestra, Chicago Symphony Orchestra, Atlanta Symphony Orchestra and at the Aspen Music Festival. Jimmy López continues his studies at the University of California at Berkeley where he is in the PhD program

Website

www.lopezjimmy.com

Published Works

  • AMÉRICA SALVAJE, for orchestra
  • FIESTA! for chamber orchestra or ensemble
  • FIESTA! for orchestra
  • EPIPHANY, concertino for piano, strings, brass, and percussion
  • K'ASA, for violin and piano
  • LA CARESSE DU COUTEAU, for string quartet
  • KRAFTMASCHINE, for recorders and percussion
  • VORTEX, for piano
  • OF BELLS AND BROKEN SHADOWS, for cello and piano
  • INCUBUS II, for chamber ensemble
  • TECHNO, from Fiesta! (arr. Claudio), for wind orchestra
  • LAGO DE LÁGRIMAS, for flute and orchestra
  • SYNESTHÉSIE, for orchestra (Commisioned by Radio France)
  • CCANTU, for solo piano
  • LORD OF THE AIR, concerto for cello and orchestra
  • INCUBUS, for saxophone, accordion, and bass
  • AVEC SWING, for chamber ensemble
  • PERÚ NEGRO, for orchestra
  • LOS MAGOS DEL SILENCIO, orchestral suite
  • WARPED SYMMETRY, for solo flute
  • SPECULORUM, for oboe and koto
  • SYMPHONY NO. 1: THE TRAVAILS OF PERSILES AND SIGISMUNDA, for orchestra
  • BEL CANTO: AN OPERA IN THREE ACTS
  • BEL CANTO: A SYMPHONIC CANVAS, for orchestra
  • SYMPHONY NO. 2: AD ASTRA
  • DREAMERS, an oratorio for soprano, mixed chorus, and orchestra
  • MAN AND MAN, for countertenor and ensemble
  • MAN AND MAN, for countertenor and piano
  • VIAJE A TI, for soprano and piano
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LOS MAGOS DEL SILENCIO, orchestral suite
Peru 24' 2222-4231-timp-Perc (2)-str $75.00 Rental only - Please contact orders@filarmonika.com
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Mejía, Adolfo (1905-1973) ACUARELA, for orchestra
Colombia 4' 223*2-4331-timp-perc (3)-pno-str $25.00 Rental only - Please contact orders@filarmonika.com
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Vergara, Sebastián (b. 1978)

Vergara, Sebastián (b. 1978)

Biography

Sebastián Vergara D. (1978) Born in Chile, his catalog includes works for feature films, video art and documentary, concert music for symphonic orchestra, string orchestra, chamber ensembles (with and without electroacoustic devices), and mixed media works incorporating poetry, photography and video. He has also recorded various albums and worked with different artists in the song field and its extensions. Chileno, su catálogo comprende música para cine, video arte y documental, así como música de concierto para orquesta sinfónica, orquesta de cuerdas, ensambles de cámara (con y sin participación de medios electroacústicos), trabajos para medios mixtos incorporando poesía, fotografía y video. También ha realizado cd’s y colaborado con otros artistas en el ámbito de la canción y sus extensiones. [taken from www.sebastianvergara.com]

Website

http://www.sebastianvergara.com/

Published Works

  • EL DESPERTAR DE LA ESPECIE (Awakening of the Species), for orchestra
  • MECÁNICA, for strings
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EL DESPERTAR DE LA ESPECIE (Awakening of the Species), for orchestra
Chile 8' 223*3*-4331-timp-perc (3)-str $50.00 RentalRental only - Please contact orders@filarmonika.com
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Valcárcel, Edgar (1932-2010)

Valcárcel, Edgar (1932-2010)

Biography

Born in Puno, Peru in 1932, composer Edgar Valcárcel studied at the National Conservatory of Peru. His uncle, Theodoro Valcárcel, was also a composer who belong to the "indigenist" movement. Edgar Valcárcel also studied at Hunter College in New York and at the Torcuato di Tella Institute in Argentina. He was awarded a Guggenheim fellowship in 1966 and 1968. His musical language belongs to the vanguard movement in the sixties, however in many of his works there is a presence of musical language of the Andean highlands, where Valcárcel is from. He composed the following works, among others: Concierto Indio for cello and orchestra, Zorro, zorrito, Homenaje a Manuel de Falla, Checán II.

Website

Published Works

  • CONCIERTO INDIO, for cello and orchestra
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CONCIERTO INDIO, for cello and orchestra
Peru 18' 3*2*32-4231-timp-perc-str $60.00 Rental only - Please contact orders@filarmonika.com
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Juan-Marcos, Antonio (b. 1979)

Juan-Marcos, Antonio (b. 1979)

Biography

Born in Mexico City, Antonio Juan-Marcos began his musical training studying classical guitar; he later studied composition, piano and guitar at the Boston Conservatory. In 2003 he continued his bachelor’s and master’s degree at the “Conservatoire National Supérieur de Musique et Danse de Paris’’, where he graduated with honors with the piece “Arder Aprender.” From 2012 to 2013 he participated in the Electroacoustic Composition Course at the “Institut de Recherche et Coordination Acoustique / Musique’’ (IRCAM). He has studied with some of the most renowned composers such as Kaija Saariaho, O. Golijov, Stefano Gervasoni, Narcís Bonet, Allain Gaussin, Philippe Leroux and Franck Bedrossian. Antonio is currently pursuing a doctorate degree in Musical Composition at UC Berkeley, where he also works as a pro- fessor of harmony. Antonio Juan-Marcos has recently been awarded with the Gold Medal-Best of Show honors at the Global Music Awards for his piece “Nocturno Eléctrico’’; he also received the prestigious “Eisner Prize for the Highest Achievement in the Creative Arts” on behalf of the University of California Berkeley for the ensemble of his recent compositions, as well as the first place in the composition competition “Nicola De Lorenzo Prize in Music Composition’’ granted by the Department of Music at UC Berkeley. Important recent world premieres include: “Amanece’’- for countertenor and orchestra (2014) written as a celebration of the birth centenary of the literature Nobel Prize winner, Octavio Paz, as well as “Nocturno Eléctrico’’- for electric guitar and orchestra (2015). It is worth noting that Alejandro Marcovich (guitarist, founder of the famous Latin American rock group “Caifanes”) was the soloist for “Nocturno Eléctrico’’. Both pieces were commissioned by The Mexico City Philharmonic Orchestra. “Amanece’’ will receive its American premiere in December 2016 by the UC Berkeley Symphony Orchestra, in a program next to Beethoven’s Ninth Symphony. Mr. Juan-Marcos is currently composing a song cycle for the internationally known ensemble “Les Folies Françoises’’ in which he musicalizes four sonnets attributed to Antonio Vivaldi. These sonnets were written in correlation with the violin concerti “The Four Seasons’’. Antonio Juan-Marcos is the third composer to receive a commission from the “Les Folies Françoises’’. The first two composers to appear in this select catalog where Kaija Saariaho (2009) and Thierry Pécou (2013). Antonio has also received a commission from the “Festival Internacional Cervantino” to compose a monodrama for voice, video and ensemble inspired by the short story “Macario” by Juan Rulfo, one of Latin America’s most prominent writers and a fundamental source of the literary movement known as “Magical Realism”. This piece will be premiered by the “Ensemble 2e2m” in 2017 and will celebrate Mr. Rulfo birth centenary. Additional commissions include new orchestral music for some of the most important Mexican national orchestras. His pieces have been presented in the United States, France, Belgium, Spain and his native Mexico, under the direction of José Areán, David Milnes, Zsolt Nagy, Kanako Abe, Jean-Philippe Wurtz, Laurent Cuniot and Pierre Roullier. Antonio’s works are included in the repertoires of prestigious ensembles and orchestras such as the “Orchestre National de Lorraine’’, Mexico City Philharmonic Orchestra, “Ensemble InterContemporain”, “Eco Ensemble,” “L’Instant Donné”, “L’Ensemble Multilatérale’’, amongst others. His piece for cello and electronics ‘’El Afilador’’ was recorded by the cellist Marie Ythier for Evidence Classics records (distributed by Harmonia Mundi). Antonio has been selected to participate in important festivals and academies such as: Acanthes (France)- where he studied with Salvatore Sciarrino, Musicalta (France), and the “Festival Internacional de Guitarra de Córdoba” (Spain) – where he studied guitar and composition with Leo Brouwer.

Website

www.antoniocomposer.com

Published Works

  • CANTO DE SEMILLAS, for orchestra
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CANTO DE SEMILLAS, for orchestra
Mexico 15' 3*22*2-42*21-timp-perc (2)-pf-electronics $100.00 Rental only - Please contact orders@filarmonika.com
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Valle-Riestra, José María (1858-1925)

Valle-Riestra, José María (1858-1925)

Biography

Lima, Peru 1858-1925. Studied in Peru and Europe. Among his works: Elegy for orchestra and the opera "Ollanta". Chanson d'amour was composed in 1910 and is dedicated to the Sociedad Filarmónica de Lima.

Website

Published Works

  • ELEGÍA, for orchestra
  • Chant d'amour
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ELEGÍA, for orchestra
Peru 7'30 3*220-4231-timp-perc (1)-str $40.00
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Luzuriaga, Diego (b. 1955)

Luzuriaga, Diego (b. 1955)

Biography

Ecuadorian Diego Luzuriaga is one of the most original voices among Latin American composers. The force and uniqueness of his music spring mainly from his Andean folk melodies, the use of French post-impressionistic sound color, and from his unapologetic South American lyricism. He was born in 1955, in Loja, Ecuador, into a family of twelve children. He studied in Paris at the Paris Ecole Normale and later at Manhattan School of Music and Columbia University in New York. He has been taught by, among others, Gerardo Guevara, Yoshihisa Taira and Mesias Maiguashca. In Ecuador he was involved in the studying, performing, and recording of native Andean folk music and Latin American music. He has received commissions from international ensembles and orchestras including the Tokyo Philharmonic Orchestra, the Ensemble Intercontemporain and Ensemble Itineraire of Paris, Ensemble Pro Musica Nipponia of Japan, the Nishikawa Ensemble of Japan, the Nieuw Ensemble of Amsterdam, Ensemble Aventure of Freiburg, the Ecuadorian National Symphony, Robert Aitken and Aurele Nicolet flute duo, Quintet of the Americas, and the North/South Consonance ensemble of New York. He has received several international awards, including, in 1993, the Guggenheim Fellowship from New York. His music is regularly performed in numerous international events. The recent recording of "Once Canciones de Diego Luzuriaga" was released by soprano Dana Hanchard in New York and received rave reviews. His new opera, Manuela y Bolivar, received critical acclaim when it premiered in Quito, Ecuador in November 2006. He now lives with his wife and three children in Pennsylvania (USA), and he teaches at Friends' Central School.

Website

www.diegoluzuriaga.com

Published Works

  • YARAVÍ Y YUMBO, for flute and string quartet
  • RESPONSORIO, for orchestra (Commissioned by the Tokyo Philharmonic)
  • INCIENSO, for chamber orchestra or ensemble
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RESPONSORIO, for orchestra (Commissioned by the Tokyo Philharmonic)
Ecuador 8' 3*222-2110-perc (3)-str $50.00 Rental only - Please contact orders@filarmonika.com
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Campos, José Carlos (b. 1957)

Campos, José Carlos (b. 1957)

Biography

José Carlos Campos was born in Lima, Peru in 1957, where later studied at the National Conservatory of Music with Edgar Valcárcel, Pedro Asato and Celso Garrido-Lecca. In 1985, after graduating in composition, he obtains a scholarship by the French government to study in Paris. In 1990 he returns to Peru to teach at the National Conservatory of Music as well as working as producer for Radio Filarmonia. In 1998 he returns to France, where he obtains a master in musicology at the Sorbonne in Paris. His works has been performed throughout South and North America and Europe.

Website

unknown

Published Works

  • DANZA RÚSTICA, for orchestra
  • ALONE, Conversations With Oneself, for solo flute
  • DANZA FESTIVA, for strings
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DANZA RÚSTICA, for orchestra
Peru 3'30" 3*222-2200-timp-perc (3)-str $30.00 Please enquire at orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) SYMPHONY No. 4 'Nazca'
Peru 18' 3*222-4221-timp 2-str $60.00 Rental only - Please contact orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) CASCAY, Huayno Sinfónico
Peru 7' 3*222-4231-timp-perc (1)-str $45.00 Rental only - Please contact orders@filarmonika.com
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Soro, Enrique (1884-1954)

Soro, Enrique (1884-1954)

Biography

Enrique Soro, Chilean composer (1884-1954). Considered one Chile’s first symphonists, Enrique Soro studied started his musical studies in Concepción, followed by studies at the Milan Conservatory in Italy. After graduation in 1904 he had a very successful piano career, performing traditional classical repertoire and compositions of hiw own. Later on he became director of the National Conservatory of Music of Chile. His musical style is based on the classic and romantic traditions with a spontaneous lyrical sense.

Website

Published Works

  • DANZA FANTÁSTICA, for orchestra
  • TRES AIRES CHILENOS, for orchestra
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DANZA FANTÁSTICA, for orchestra
Chile 4' 3*222-4231-timp-perc (2)-hp-str $30.00 Rental only - Please contact orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) NEGRITOS DE HUÁNUCO, for orchestra
Peru 8' 3*222-4331-timp 2-str $0.00 Coming soon - enquire at orders@filarmonika.com
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Pulgar Vidal, Francisco (1929-2012) SYMPHONY No. 1 'Chulpas'
Peru 18' 3*222-4331-timp 3-str $60.00 Rental only - Please contact orders@filarmonika.com
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Tobar, Alejandro (1907-1975)

Tobar, Alejandro (1907-1975)

Biography

coming soon

Website

unknown

Published Works

  • KALAMARY, for orchestra
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KALAMARY, for orchestra
Colombia 10' 3*222-4331-timp 3-str $40.00 Rental only - Please contact orders@filarmonika.com
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Alzedo, José Bernardo (1788-1878)

Alzedo, José Bernardo (1788-1878)

Biography

José Bernardo Alzedo (August 20, 1788 – December 28, 1878), was one of the most important Peruvian composers of the nineteenth century. Born in Lima, Peru, studied music at the Convent of San Agustín and in 1821 was the winner of a contest sponsored by General José de San Martín to choose a national anthem for Peru. In 1822, Alzedo went to Chile as a soldier in a military band which he left years later in order to dedicate completely to music. In 1846 he became kapellmeister of the Cathedral of Santiago. After living 40 years in Chile he returned to Peru in 1864 to become director of the Peruvian Military Band and president of the Philharmonic. He spent the last years of his life in Peru. He wrote the book "Elemental Philosophy of Music" (1869), where he explored the subject of the music of the Quechuas. He composed folk songs, numerous religious works, and military music. ______________________________________________________________________________________________________________________ José Bernardo Alzedo (Agosto 20, 1788 – Diciembre 28, 1878) fue uno de los compositores peruanos más importantes del Siglo XIX. Estudió música en el Convento de San Agustín, donde fue alumno de los sacerdotes Cipriano Aguilar y Pascual Neves. En 1807, vistió el hábito de hermano dominico y asumió la enseñanza de los niños coristas del Convento de Santo Domingo. En 1821, participó en el concurso que convocó don José de San Martín para elegir el Himno Nacional del Perú. Su composición musical resultó vencedora, junto a la letra de don José de la Torre Ugarte. En 1822, viajó a Chile donde siguió dedicándose a la música. En 1833, ingresó a la coro de la Catedral de Santiago, donde fue Maestro durante 18 años. En 1864, regresó a Lima a pasar sus últimos años. Siguió componiendo muchas canciones religiosas y patrióticas. También escribió el libro "Filosófía elemental de la música" (1869).

Website

Published Works

  • HIMNO NACIONAL DEL PERÚ (National Anthem of Peru) Orch. Rebagliati
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HIMNO NACIONAL DEL PERÚ (National Anthem of Peru) Orch. Rebagliati
Peru 3' 3*2222alto sax-4331-perc (2)-str $40.00 Please enquire
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Garrido-Lecca, Celso (b. 1926)

Garrido-Lecca, Celso (b. 1926)

Biography

Celso Garrido-Lecca was born in Piura, Peru in 1926. He began his musical training in the National Conservatory of Lima, later continuing his studies in composition with professor Rodolfo Holzmann in the same institution. In 1950, he traveled with a scholarship to Santiago, Chile, to conclude and master his musical studies. Four years later he became the musical adviser and composer of the Institute of the Theater at the University of Chile. He stayed there for ten years and during that time he wrote a large amount of music for the various theater works. In 1965 he began to teach in the Department of Composition in the Faculty of Science and Musical Arts at the same University, later becoming Chairman of the Department. In 1964 Garrido-Lecca won a scholarship to work with Aaron Copland at the Tanglewood Music Festival. Upon his return to Peru in 1973, he became Professor of Composition of the National Conservatory of Lima where, soon after, he was appointed Director of this institution until 1979. The musical production of Garrido-Lecca includes chamber and symphonic works, which have been performed in numerous concerts and festivals in America, Europe and Asia. Among his most renowned works are “Intihuatana” for string quartet, “Antaras” for double string quartet and double bass, “Laudes I and II” for orchestra, “Elegía a Machu-Picchu” (performed by the New York Philharmonic in 1967), “Concerto for Cello and Orchestra”, “Simphony Nº2”, “Concerto for Guitar”, and the multimedia work “El Movimiento y el Sueño” for double choir, two narrators and orchestra, among others. During his life as a composer he has been awarded many composition prizes both in Peru and in Chile. Among his award-winning compositios are “Divertimento”, “El movimiento y el sueño”, “Trio para un nuevo tiempo”, “Cuarteto Nº3” and “Retablos sinfónicos”. Since 1983 he traveled frequently to Chile, actively participating in the musical life of that country. He is member of the Composer’s Society of Chile and of the Copyright Society SCD. He has been awarded the International Institute of Education scholarship in 1961 and the Guggenheim Foundation scholarship in 1963. In 1982 he was decorated by the Spanish government with the Order of Civilian Merit. In 1997 the government of Chile awarded him the “Bernardo O’Higgins” Order for his contribution to the strenghtening of the relations betwewn Chile and Peru. In 2000 he won the "Tomás Luis de Victoria" Prize from the Fundación Autor SGAE of Spain.

Website

www.celsogarridolecca.com

Published Works

  • CONCERTO FOR GUITAR AND FOUR INSTRUMENTAL GROUPS
  • RETABLOS SINFÓNICOS
  • SUITE PERUANA, for strings
  • LAUDES I, for orchestra
  • SOLILOQUIO II, for cello
  • ORDEN No.1, for solo piano
  • POÉTICAS, for two guitars
  • DÚO CONCERTANTE, for charango and guitar
  • ELEGÍA A MACHU PICCHU, for orchestra
  • DIÁLOGOS COTIDIANOS, for clarinet and guitar
  • DANZAS POPULARES ANDINAS, for flute and guitar
  • LAUDES II, for chamber ensemble
  • SECUENCIAS, for violin and orchestra
  • DIVERTIMENTO, for woodwind quintet
  • SYMPHONY No.1
  • STRING QUARTET No.1 (Commissioned by the Library of Congress - Washington D.C.)
  • INTIHUATANA, for string quartet
  • ANTARAS, for double string quartet and double bass
  • DONDE NACEN LOS CÓNDORES, for male choir and andean instruments
  • DANZAS POPULARES ANDINAS, for violin and piano
  • EL MOVIMIENTO Y EL SUEÑO, for chorus, 2 narrators, and orchestra
  • TRÍO PARA UN NUEVO TIEMPO, for violin, cello, and piano
  • STRING QUARTET No.2
  • PRELUDIO Y TOCCATA, for solo piano
  • SIMPAY, for guitar
  • SONATA FANTASÍA, for cello and piano
  • CONCERTO FOR CELLO AND ORCHESTRA
  • STRING QUARTET No.3
  • SOLILOQUIO I, for solo flute
  • EVENTOS, for chamber orchestra
  • AMARU, for flute and string quartet
  • SOLILOQUIO III, for solo double bass
  • CANCIONES DE HOGAR, for voice and chamber ensemble
  • SYMPHONY No.2, "Introspections"
  • STRING QUARTET No.4
  • OCTAVIANAS, for voice and chamber ensemble
  • CANTO VIVO EN EL ATARDECER, for baritone and orchestra
  • DANZAS POPULARES ANDINAS, for chamber orchestra
  • THE COMPLETE CATALOG
  • EPITAFIO ENCENDIDO, for narrator and orchestra
  • MÚSICA PARA TEATRO, for woodwind quintet
  • MUSICHARÁN, for charango and chamber ensemble
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ELEGÍA A MACHU PICCHU, for orchestra
Peru 6'30'' 3*223*-2220-timp-hp-str $45.00 Rental only - Please contact orders@filarmonika.com
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